EPK

Artist Overview

peejmudd crafts Cinematic Post-Rock and Ambient Soundscapes for the quietly unhinged. It’s Post-Classical with an existential crisis, weaving melancholic swells, weightless melodies, and echoes of something out of reach. His music is the soundtrack to a dream half-remembered, or the last song as the world fades to black. Critics consistently describe peejmudd's work as "powerful," "evocative," and "deeply emotional," inviting listeners into introspective journeys of "raw honesty" and "resilience."

For Fans Of: Sigur Rós, Mogwai, Ólafur Arnalds, and The Album Leaf

Biography

Philip Patton, the visionary behind peejmudd, has quietly forged a unique path in instrumental music, crafting cinematic post-rock and ambient soundscapes from his base in Chico, California. His musical journey began long before peejmudd's 2010 inception, rooted in a lifelong passion for atmospheric sound and composition.

Early in his career, Philip honed his craft in diverse musical landscapes. Notably, he played guitar in the Humboldt County based Ska band The Half Pints, was briefly a church organist, played piano with an orchestra and jazz band, and released self recorded music on cassette tapes as Eisegesis.

In 2010, peejmudd emerged as Philip's primary artistic outlet, allowing him to explore deeply personal themes through instrumental narratives. His first EP, 2013's A Subtle Beginning, mixed instrumental and vocal songs together, walking the line between Indie and Post-Rock. After that EP, Philip decided to make peejmudd completely instrumental, and any songs with vocals would be released instead under the moniker Sad Bastard Music.

His compositions are often born from moments of introspection, reflecting on life's profound emotional experiences without the need for words. As an artist, Philip is driven by the desire to create music that serves as a backdrop for listeners' own contemplations, offering a space for reflection and connection. This dedication to crafting evocative and authentic soundscapes has allowed peejmudd to resonate with audiences globally, earning consistent recognition on streaming platforms and in music publications.

New Releases

Critics hail fight to keep from sinking as a "cinematic odyssey of emotion" and a "powerful and poignant journey." This album is a "deeply honest" and "vulnerable" exploration of the long-term toll of mental health and physical struggles, praised for how it "strikes a chord deeply within." It masterfully navigates between "rhythmic energy and beatless introspection," defined by "lush strings" and "haunting piano motifs," creating an "authentic and essential listening experience."

Lead Single: "this day is ours" (Released January 24, 2025)

"this day is ours," a powerful collaboration with They Danced Like Programmed Angels, has been widely lauded as a "majestic" and "breathtaking" introduction to the album. Critics note how the track "builds from reflective piano and strings to an emotional crescendo of soaring guitars and thunderous drums," creating a "triumphant feeling" that is both "intimate and epic." It's described as a "magnificent instrumental arrangement" that truly "touches the soul."

Single: "Six Years Later" (Released May 14, 2025)

"Six Years Later" is a reflective and intentional reimagining of the track "Two Years Later," which previously charted on iTunes Classical. This version expands on the original's quiet epilogue, incorporating the richer strings, textures, and atmospheric depth characteristic of the fight to keep from sinking album. It serves as a poignant continuation, described by Philip as "a small piece of survival, stretched across six long years."

Track Highlights

These tracks offer a deep dive into the cinematic post-rock soundscapes of peejmudd:

"echoes wake" – This ethereal guitar driven track has been a hit with Post-Rock and Indie playlists alike. Critics highlight this track's "lush and dynamic" atmosphere, showcasing peejmudd's ability to craft "a soundscape that allows you to lose yourself in thought and emotion."

"this day is ours" – The "powerful" lead single, praised for its "emotional crescendo" and "triumphant" energy. Watch the music video by Thomas De Wolfhound

"standing at the precipice, a moment before the fall" – A track that critics point to for its "poignant introspection" and "delicate vulnerability," embodying the album's emotional depth. Watch the music video

Artist Statements

Philip Patton offers a rare glimpse into the profound artistic intention behind his work: "While '...call me by my name' focused on a dissociative break and its short-term effects, this one explores the enduring struggles of pain, depression, and hopelessness, but without offering a hopeful resolution. I usually try to end on a note of hope, but with this album, I went the opposite direction. It’s reflective and raw, something to daydream or reminisce to.”
On crafting the album’s lead single, 'this day is ours,' Philip explains: “While writing this track, I wanted it to feel both intimate and epic. like it could be the soundtrack to someone’s most triumphant or painful moment. Sasà De Seta’s drumming brought so much life and energy to this album, and They Danced Like Programmed Angels really helped shape the most accessible single I’ve ever done.”
Regarding 'Six Years Later,' Philip shares: “What was once a footnote has become something more reflective, more intentional.”

Achievements

peejmudd’s undeniable talent has consistently translated into significant recognition and reach:

Chart Success:
- "Two Years Later" charted #2 on iTunes Classical in Spain (May 2024).
- "this day is ours" charted #53 on iTunes Rock in Brazil (March 2025).
Critical Acclaim: Honorable mentions in the Unsigned Only Music Competition and Indie International Songwriting Competition for tracks from when you find my body, call me by my name (2021). Personally endorsed and featured by Mahdi Hazaveh of Post-Rock Nation, who premiered the newest album on YouTube, hosted an in-depth interview, and added peejmudd to their 24/7 curated radio stream.
Widespread Listenership: Consistent playlist placements on Spotify from influential platforms such as worldhaspostrock, Post-Rock Central, and Ambient Soundscapes.
Extensive Media Coverage: Music has been highlighted across prominent online music publications including Obscure Sound, Plastic Mag, Last Day Deaf, Indie Tapes, Distopic, Pitch Perfect Site, ChuneDesk, Apricot Magazine, Landon Buford, Senocularmedia, and IndieMusicFlix.
Long-standing Influence: Featured on “Flashback 2015: Post-Rock List” (ItDjents.com) and "BEST of Post-Rock NOVEMBER 2013" by Droox Mixes (over 20k views), demonstrating consistent impact within the genre.

Press

Hear what critics are saying about peejmudd’s cinematic soundscapes and recent releases:

“fight to keep from sinking is a truly immersive listening experience... a powerful and poignant journey through the labyrinth of mental and physical struggle... Philip Patton’s consummate skill as a composer shines through in every note.” — Thoughtswordsaction
“'this day is ours' is a magnificent instrumental arrangement, featuring powerful post / alternative rock influences as well as captivating classical and soundtrack elements. Philip Patton’s work continues to impress with its depth and emotional resonance.” — IndieTapes
“The album is a cinematic journey... a soundscape that allows you to lose yourself in thought and emotion. The track 'i remember nothing' is a haunting reinterpretation... a testament to peejmudd’s ability to evolve and deepen his narrative.” — GetMusic.fm
“peejmudd crafts an emotional soundscape of struggle and resilience. The compositions are lush and dynamic, creating a powerful atmosphere that resonates with honesty and depth.” — ChuneDesk
“fight to keep from sinking is a cinematic odyssey of emotion... Philip Patton's music acts as a vessel for deep introspection, blending grandeur with delicate vulnerability... an essential listen for those seeking an authentic and moving musical experience.” — Apricot Magazine
“'this day is ours' stirs up a triumphant feeling... a majestic instrumental piece that showcases peejmudd's ability to create breathtaking experiences with soaring guitars and powerful percussion.” — Landon Buford
“peejmudd’s instrumental post-rock is evocative and incredibly rich... a masterful blend of ambient, classical, and post-rock that draws you into a deeply emotional narrative.” — Obscure Sound