About peejmudd
Philip Patton has been releasing music as peejmudd since 2010. Now based in Vancouver, Washington, where the grey skies and quiet weight of the Pacific Northwest suit him just fine.
A classically trained pianist with roots in jazz and orchestral performance, Patton found his direction when a friend introduced him to post-rock in 2001. What followed was years of building a catalog at the intersection of cinematic composition and electronic production. The music started in post-rock and slowly got lost in the machines. It never quite came back.
These days peejmudd makes Post-Classical music with an existential crisis. Piano and synths layered over loops and beats, building from delicate neo-classical moments into driving electronic grooves and back again. Melancholic but not defeated. Weightless but with gravity. Influences like Ólafur Arnalds, Jon Hopkins, and Nils Frahm are in there, but the sound is distinctly his own. Shaped by analog warmth, granular texture, and a film composer's instinct for emotional pacing.
His latest single, Nobody is Coming to Save Us (2025), marks his most direct step into cinematic electronica yet. He performs live as a solo keyboard-based act, blending piano, synthesis, loops, and live-processed rhythm elements into an immersive instrumental experience.
For bookings and inquiries: philip@peejmudd.com